DIE MAGISCHEN BILDER DES MARIO BAVA (TEIL 2): DIE DREI GESICHTER DER FURCHT: „WURDELAK“

x

17

x

DIE

MAGISCHEN

BILDER

DES

MARIO BAVA

(TEIL 2)

x

222222222

x

„WURDELAK“

x

AUS

x

DIE DREI GESICHTER DER FURCHT

[I TRE VOLTI DELLA PAURA, 1963]

x

AKA

x

BLACK SABBATH

x

x

„I HAVE NEVER TAKEN ADVANTAGE OF A PSYCHIATRIST’S COUCH – NOR CRUCIFIXES,
ROSARY BEADS OR GLOVES OF GARLIC.
INSTEAD, I RELY ON FOG MACHINES, COLORED FILTERS AND OBJECTS OF DEFORMITY.“
– MARIO BAVA –

x

black 18

x

x

black 15

x

x

black 17

x

x

black 22

x

x

pe 13

x

x

black 7

x

x

black 2

x

x

black 4

x

x

black 10

x

x

black 5

x

x

22222222222

x

x

vlcsnap-2015-05-24-01h22m58s175

x

x

vlcsnap-2015-05-24-01h23m24s751

x

x

vlcsnap-2015-05-24-01h27m19s542

x

x

vlcsnap-2015-05-24-01h36m45s975

x

x

vlcsnap-2015-05-24-01h40m54s060

x

x

vlcsnap-2015-05-24-01h47m41s904

x

x

vlcsnap-2015-05-24-01h54m30s153

x

x

vlcsnap-2015-05-24-01h54m55s539

x

x

vlcsnap-2015-05-24-01h57m17s494

x

x

vlcsnap-2015-05-24-01h59m53s871

x

x

vlcsnap-2015-05-24-02h00m27s899

x

x

vlcsnap-2015-05-24-02h03m45s102

x

x

vlcsnap-2015-05-24-02h05m30s327

x

x

vlcsnap-2015-05-24-02h05m56s229

x

x

vlcsnap-2015-05-24-02h06m30s499

x

ITALO-SPLATTER IN BILDERN (TEIL 1): ALIEN, DIE SAAT DES GRAUENS KEHRT ZURÜCK [ALIEN 2: SULLA TERRA, 1980]

x

17

x

ITALO-SPLATTER

IN BILDERN

(TEIL 1)

x

33

x

ALIEN,

DIE SAAT DES GRAUENS KEHRT ZURÜCK

[ALIEN 2: SULLA TERRA, 1980]

x

AKA

x

ALIEN 2: ON EARTH

x

x

002

x

x

23

x

22

x

x

20

x

x

29

x

x

31

x

x

32

x

x

36

x

x

37

x

x

38

x

x

39

x

x

vlcsnap-2015-05-19-01h09m07s075

x

x

vlcsnap-2015-05-19-01h09m21s472

x

x

vlcsnap-2015-05-19-01h09m31s000

x

x

vlcsnap-2015-05-19-01h09m43s645

x

x

vlcsnap-2015-05-19-01h20m20s844

x

x

vlcsnap-2015-05-19-01h22m56s262

x

x

vlcsnap-2015-05-19-01h23m13s889

x

x

vlcsnap-2015-05-19-01h23m20s694

x

x

vlcsnap-2015-05-19-01h23m25s708

x

x

vlcsnap-2015-05-19-01h23m40s356

x

x

vlcsnap-2015-05-19-01h23m46s460

x

x

vlcsnap-2015-05-19-01h27m54s003

x

x

vlcsnap-2015-05-19-01h29m41s361

x

x

vlcsnap-2015-05-19-01h32m28s435

x

x

vlcsnap-2015-05-19-01h32m47s142

x

x

vlcsnap-2015-05-19-01h33m34s823

x

x

0

x

x

29

x

x

30

x

x

30

x

LUCIO FULCI’S SET-PIECES IN BILDERN (TEIL 1): ALMANTA SUSKA & ANDREA OCCHIPINTI IN „DER NEW YORK RIPPER“

x

new 14

x

LUCIO FULCI’S

SET-PIECES

IN BILDERN

(TEIL 1)

x

11111

x

ALMANTA SUSKA

x

UND

x

ANDREA OCCHIPINTI

x

IN

x

„DER NEW YORK RIPPER“

[LO SQUARTATORE DI NEW YORK, 1982]

x

AKA

x

THE NEW YORK RIPPER

x

x

c7

x

x

new 1

12

x

vlcsnap-2015-05-04-22h44m58s938

x

vlcsnap-2015-05-04-22h47m31s982

x

vlcsnap-2015-05-04-22h47m47s359

x

vlcsnap-2015-05-04-22h48m02s868

x

vlcsnap-2015-05-04-22h48m23s238

x

vlcsnap-2015-05-04-22h48m50s778

x

vlcsnap-2015-05-04-22h48m57s404

x

vlcsnap-2015-05-04-22h49m28s790

x

vlcsnap-2015-05-04-22h49m46s328

x

vlcsnap-2015-05-04-22h49m55s500

x

vlcsnap-2015-05-04-22h51m48s579

x

vlcsnap-2015-05-04-22h52m02s083

x

vlcsnap-2015-05-04-22h52m22s326

x

vlcsnap-2015-05-04-23h49m19s981

x

vlcsnap-2015-05-04-22h52m39s844

x

vlcsnap-2015-05-04-22h53m01s641

x

vlcsnap-2015-05-04-22h53m12s067

x

vlcsnap-2015-05-04-22h53m32s072

x

vlcsnap-2015-05-04-23h40m08s785

x

vlcsnap-2015-05-04-23h50m24s786

x

vlcsnap-2015-05-04-23h50m33s612

x

vlcsnap-2015-05-04-22h54m16s766

x

vlcsnap-2015-05-04-22h54m42s173

x

vlcsnap-2015-05-04-22h55m22s213

x

vlcsnap-2015-05-04-22h55m28s584

x

vlcsnap-2015-05-04-22h55m53s150

x

vlcsnap-2015-05-04-22h56m10s896

x

vlcsnap-2015-05-04-22h56m41s363

x

vlcsnap-2015-05-04-22h56m49s122

x

vlcsnap-2015-05-04-22h57m01s237

x

vlcsnap-2015-05-04-22h57m21s521

x

vlcsnap-2015-05-04-22h57m29s680

x

vlcsnap-2015-05-04-22h57m34s897

x

vlcsnap-2015-05-04-22h58m47s156

x

vlcsnap-2015-05-05-00h42m49s039

x

vlcsnap-2015-05-05-00h43m05s761

x

vlcsnap-2015-05-04-22h58m57s947

x

vlcsnap-2015-05-04-23h41m56s380

x

vlcsnap-2015-05-04-23h42m17s529

x

vlcsnap-2015-05-05-01h33m02s712

x

vlcsnap-2015-05-05-01h33m14s793

x

vlcsnap-2015-05-05-01h33m20s187

x

vlcsnap-2015-05-05-01h33m27s072

x

vlcsnap-2015-05-05-01h33m33s487

x

vlcsnap-2015-05-05-01h33m43s949

x

vlcsnap-2015-05-05-01h34m29s786

x

vlcsnap-2015-05-05-01h34m51s720

x

vlcsnap-2015-05-05-01h34m58s580

x

vlcsnap-2015-05-05-01h35m16s071

x

vlcsnap-2015-05-05-01h35m23s031

x

vlcsnap-2015-05-05-01h35m29s289

x

new 19

x

DIE STYLISCHSTEN HORROR-SET-PIECES (TEIL 4): STEFANIA CASINI IN „SUSPIRIA“

x

sus 27

x

DIE STYLISCHSTEN

HORROR-SET-PIECES

(TEIL 4)

x

 22222

x

STEFANIA CASINI

x

IN

x

„SUSPIRIA“

[1977]

x

x

sus 46

x

x

sus 20

x

x

sus 43

x

vlcsnap-2015-04-29-01h43m48s662

x

vlcsnap-2015-04-29-01h48m05s829

x

vlcsnap-2015-04-29-01h48m15s145

x

vlcsnap-2015-04-29-01h48m26s963

x

vlcsnap-2015-04-29-01h48m52s579

x

vlcsnap-2015-04-29-01h49m01s063

x

vlcsnap-2015-04-29-01h49m30s204

x

vlcsnap-2015-04-29-01h49m38s948

x

vlcsnap-2015-04-29-01h50m07s844

x

vlcsnap-2015-04-29-01h50m41s449

x

vlcsnap-2015-04-29-01h51m03s405

x

vlcsnap-2015-04-29-01h51m31s344

x

vlcsnap-2015-04-29-01h52m10s095

x

vlcsnap-2015-04-29-01h52m35s459

x

vlcsnap-2015-04-29-01h52m49s132

x

vlcsnap-2015-04-29-01h52m56s612

x

vlcsnap-2015-04-29-01h53m05s403

x

vlcsnap-2015-04-29-01h53m36s882

x

vlcsnap-2015-04-29-01h53m49s636

x

vlcsnap-2015-04-29-01h54m03s300

x

vlcsnap-2015-04-29-01h55m14s980

x

vlcsnap-2015-04-29-01h55m28s722

x

vlcsnap-2015-04-29-01h55m41s407

x

vlcsnap-2015-04-29-01h55m50s989

x

vlcsnap-2015-04-29-01h56m05s633

x

vlcsnap-2015-04-29-01h56m21s927

x

vlcsnap-2015-04-29-01h56m28s138

x

vlcsnap-2015-04-29-01h57m00s895

x

vlcsnap-2015-04-29-01h57m07s272

x

vlcsnap-2015-04-29-01h57m25s552

x

vlcsnap-2015-04-29-01h57m33s525

x

vlcsnap-2015-04-29-01h57m40s037

x

vlcsnap-2015-04-29-01h57m45s707

x

vlcsnap-2015-04-29-01h57m50s620

x

vlcsnap-2015-04-29-01h57m56s070

x

HUNDE IN HORRORFILMEN (TEIL 6): SUSPIRIA [1977]

x

sus 1

x

HUNDE

IN

HORRORFILMEN

(TEIL 6)

x

11111#

x

SUSPIRIA

[1977]

sus 15

x

vlcsnap-2015-04-27-02h03m14s621

x

vlcsnap-2015-04-27-02h03m24s041

x

vlcsnap-2015-04-27-02h00m22s572

x

vlcsnap-2015-04-27-01h48m28s910

x

vlcsnap-2015-04-27-01h49m21s669

x

vlcsnap-2015-04-27-02h00m43s400

x

vlcsnap-2015-04-27-01h33m08s450

x

vlcsnap-2015-04-27-02h01m08s574

x

vlcsnap-2015-04-27-02h01m16s115

x

vlcsnap-2015-04-27-01h40m20s576

x

vlcsnap-2015-04-27-01h40m59s370

x

vlcsnap-2015-04-27-01h41m13s082

x

vlcsnap-2015-04-27-01h41m36s031

x

vlcsnap-2015-04-27-01h41m56s077

x

vlcsnap-2015-04-27-01h42m19s231

x

vlcsnap-2015-04-27-01h42m07s625

x

vlcsnap-2015-04-27-01h43m11s290

x

vlcsnap-2015-04-27-01h43m40s531

x

vlcsnap-2015-04-28-01h23m54s096

x

vlcsnap-2015-04-27-01h43m51s097

x

vlcsnap-2015-04-27-01h44m18s660

x

vlcsnap-2015-04-28-01h24m24s972

x

vlcsnap-2015-04-27-01h44m30s332

x

vlcsnap-2015-04-27-01h45m14s625

x

vlcsnap-2015-04-28-01h25m25s948

x

vlcsnap-2015-04-27-01h45m20s478

x

vlcsnap-2015-04-28-01h25m33s377

x

vlcsnap-2015-04-27-01h45m32s494

x

vlcsnap-2015-04-27-01h45m42s816

x

vlcsnap-2015-04-27-01h45m52s844

x

vlcsnap-2015-04-27-01h46m06s628

x

vlcsnap-2015-04-27-01h46m25s300

x