LUCIO FULCIS BESTE FILME IN BILDERN (TEIL 4): DON’T TORTURE A DUCKLING [NON SI SEVIZIA UN PAPERINO, 1972]

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LUCIO FULCIS 

BESTE FILME

IN BILDERN

(TEIL 4)

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DON’T TORTURE A DUCKLING

[NON SI SEVIZIA UN PAPERINO, 1972]

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GIALLO-KILLER (TEIL 2): CAMERON MITCHELL & EVA BARTOK IN „BLUTIGE SEIDE“

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GIALLO-KILLER

(TEIL 2)

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CAMERON MITCHELL

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&

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EVA BARTOK

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IN

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„BLUTIGE SEIDE“

[SEI DONNE PER L’ASSASSINO, 1963]

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AKA

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BLOOD AND BLACK LACE

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giallo 1

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9

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35

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GIALLO-KILLER (TEIL 1): EVA RENZI IN „DAS GEHEIMNIS DER SCHWARZEN HANDSCHUHE“

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bird 16

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GIALLO-KILLER

(TEIL 1)

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11111111

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EVA RENZI

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IN

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„DAS GEHEIMNIS DER

SCHWARZEN HANDSCHUHE“

[L’UCCELLO DALLE PIUME DI CRISTALLO, 1969]

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AKA

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THE BIRD WITH THE CRYSTAL PLUMAGE

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ACHTUNG! SCREENSHOTS BEEINHALTEN SPOILER!!!

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DER ERSTE GIALLO IN FARBE: MARIO BAVAS „DAS TELEFON“ [DIE DREI GESICHTER DER FURCHT, 1963]

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black 18

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DER ERSTE GIALLO IN FARBE

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„DAS TELEFON“

[DIE DREI GESICHTER DER FURCHT, 1963]

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VON

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MARIO BAVA

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111111

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„I HAVE NEVER TAKEN ADVANTAGE OF A PSYCHIATRIST’S COUCH – NOR CRUCIFIXES,
ROSARY BEADS OR CLOVES OF GARLIC.
INSTEAD, I RELY ON FOG MACHINES, COLORED FILTERS, AND OBJECTS OF DEFORMITY.“
– MARIO BAVA –

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